The first half of the nineties under Winston Sutton’s expert direction focused on a setting audiences in the eighties had shown a strong preference for: the Caribbean. With a remounts of Smile Orange and Christmas at Carol’s and the hits Playboy of the West Indies, The Master of Carnival and The Dragon Can’t Dance, BTW delivered the goods audiences craved. The second half of the nineties saw radical change on the other hand, with the company taking on female Artistic Directors who brought with them different and exciting missions, vital energy and even controversy. These leading ladies were Fleurette Fernando, Nancy Delva and Kate Bligh.